My process for outlining a book involves both planning it and winging it. “I’m doing the next book more efficiently,” I tell myself every time. The next book, not this one–which resembles a happy tangle moving over the landscape. You know, like a tumbleweed? Uh-huh.
Index cards? Post-it notes? The Gingko App? I like the idea of these–and the Gingko App was exciting when I discovered it–but I always go back to the old-fashioned way, namely, a rough outline by hand. “I’ll try Gingko for the next book,” I say. You already know what will probably happen…
I wish I didn’t have to “paint with the wet edge of the brush” either.Β Meaning that I must line up the details as I am writing it “now”–in the current chapter–before I can get details for the next chapter straight. Other writers talk about a dashed-off first draft, but I can’t seem to do one. I leave out too much! I blame my background in serialized fiction. Or something. Scatty thinking?
I also wish my final version of the ending didn’t keep growing.Β It happened with Mercy’s Embrace and it’s where I am now with Darcy By Any Other Name. I had an ending in mind when I began, but the details that have emerged are something else. What I thought would take “maybe three chapters more” has grown into ten. On the other hand, the lead-up to the end will be richer, more complex, and (I hope) more satisfying.
Here are storytelling resources I’ve found helpful. Because nobody goes it alone. Isn’t it great to borrow someone else’s brain?
- Emma Coats’ Pixar’s 22 Rules of Storytelling
- Angela Hunt’s The Plot Skeleton
- James Scott Bell’s columns at Kill Zone blog
- Shawn Coyne’s The Story Grid
Speaking of borrowing brains, why not check out what the other Challenge authors are blogging about? You’ll find their blogs here. Thanks for stopping by!
Feel free to make Darcy by Any Other Name as long as you like. π
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You’re getting your wish, my girl. I have GOT to get this monster book finished and out out of here! π That’s what I say in the morning. And then I spend the evening lying on the sofa instead of writing.
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I don’t wonder that we’re friends. We’re very much alike. When I begin to write a new book, I know where it’s going, but it evolves as I write. I can’t write a quick rough draft either. And the ending – it’s a living entity.
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There’s got to be a smarter way to write, I tell myself. On the other hand, at least I DO write. π Here’s to a more efficient project for the “next” book. π
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I believe that’s just the way our minds work, and so far, it’s worked.
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If I were you, I wouldn’t change a thing–you write two books a year! But me, I’ve been working on Name for over two years! π Too long! Must. Write. Faster.
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